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the writer’s roller coaster

This morning I got an e-mail from a student who’s in the middle of writing an amazing memoir, wonderfully written, gripping subject etc. She wrote me that she’d just discovered that a book on the same subject had been published and wondered if she should give up on hers. I wrote back : Keep going! There are thousands of books out there on the same subject. There’s nothing new under the sun, just different takes on the same stuff. She replied: “I guess I am tormented, still, by the thought of why bother when there is so much out there that is so fantastic. The little voices who whisper that memoirs are ridiculous, etc. etc. I guess I’ll have to put my head down and ….” (click on the title to read the rest)

quote of the week

“Working writers aren’t those who have eliminated their anxiety. They are the ones who keep scribbling while their heart races and their stomach churns, and who mail manuscripts with trembling fingers.” Ralph Keyes (The Courage to Write)
“Rejection is a process, not an event.” Carolyn See (Making a Literary Life)

numbers

I’m writing this in Twin Bridges, Montana. It’s 32 degrees outside and I’m 90 miles away from the big city, Bozeman. This morning I’ve been reading a book of poems, Winter Morning Walks: One Hundred Postcards to Jim Harrison by Ted Kooser. Each poem is about a morning walk he takes from November 9th to March 20th. The day’s date becomes the title of the poem … (click on the title to be taken to the full post)

quote of the week

“I try to fill a notebook a month. There’s no quota on quality, just quantity – a full notebook, no matter what garbage I write. If it is the 25th of the month and I have only filled five pages and there are seventy more to fill by the end of the month, I have a lot of writing ahead of me in the next five days.” – Natalie Goldberg

courage and community

Who is your community? The more I teach, the more I realize how important community is for writers. The world at large will not support your writing and doesn’t care if you ever get a word down on paper. Your writing will make your family and friends nervous and anxious because they’re afraid you’re going to spill the beans and expose their life. And then they’re afraid you won’t, that they’re not interesting enough for you to write about, you don’t care enough about them. It’s a non-win situation. It’s best to not even talk about your writing to your family. And for God’s sake, don’t let them read it.

student spotlight: nancy davenport

There’s a lot written about the courage it takes to write, facing the blank page, getting the critic off your shoulder etc. But this is about a deeper courage; my student and friend Nancy Davenport’s courage to finish her memoir while enduring the final stages of Lou Gehrig’s disease. And it’s also about community, the kindness and generosity of people who share and understand the passion and necessity for writing and books.
A few years ago Nancy came to class, her guard up and her Phi Beta Kappa key flashing. Older than most of the other students, she was having health issues, but was determined to write about her life. And she made it clear that she didn’t suffer fools gladly. A few weeks later she brought in a piece to read that began with the words: “The very first thing I remember is the last time I touched my mother.” We were all riveted by her writing; the cool ironic tone she used to tell of a horrific childhood – running away from an abusive father and becoming homeless, and then getting herself into UCLA, earning a graduate degree and that Phi Beta Kappa key. And finally becoming a social worker, dedicating her life to helping abused kids. There was no self-pity in her tale, no victimhood, no grandstanding, just her keen eye and ear, her sense of irony, her wisdom and a born writer’s skill with language.
A year ago, deep into writing about her life, Nancy was diagnosed with Lou Gehrig’s disease. With typical nancy humor she said to the doctor, “But I’ve never touched a baseball in my life.” By now her pieces had turned into a full fledged memoir and she still had a number of chapters left to write. The whole class believed her book could be published but we also knew that because of her terrible illness, she didn’t have the time left to shop a manuscript around in New York to agents and publishers. Her dream was to see her memoir published and we suggested that she self-publish it.
As Nancy lost the ability to walk, talk or even swallow she kept writing, determined to finish the book. Two of her fellow students, Barbara Lodge and Jackie Winspear, jumped in to deal with the zillion details necessary to get a book into print. Everyone gave her feedback on the new pages, voted on which of her paintings should be the cover of the book, read her pages aloud in class when she no longer could speak, and many helped with the final edit. They also called 911 for her when she couldn’t breathe. Nancy’s sister, an Episcopal priest, said that writing the book was keeping Nancy alive. When I was out of town last summer I got an emailed photo of Nancy sitting up in a hospital bed, martini in one hand, and giving the camera the finger with the other. We all wrote letters nominating her for the 2006 Muscular Dystrophy Association’s Southern California Personal Achievement award, telling the story of her courage to finish her book – and she won.
Six weeks ago she wrote the last chapter and the book was rushed into production by a wonderful publishing-on-demand company, iUniverse. The first five copies of Eternal Improv arrived last week. Nancy was in the hospital unable to come to a party we’d planned for her, so we took the party to her. Against hospital rules, we all – friends, family, and her fellow students – crowded into her room. We broke out the champagne and toasted her courage and her beautiful book, Eternal Improv. Nancy died four days later.

writing the defining detail (…or not)

Look again at last week’s exercise on writing about place. Choose one part of the place you wrote about and see how many layers deep you can go with it. You could use the above example: the street, the house, the door, door knob and buzzer, bell or knocker. Front stoop, keys, mail box or slot, etc. Write three hundred words of description about your own street and front door. Or maybe it’s one city block, a garden or coffee shop. This isn’t about the three hundred words, it’s about using all your senses in order to write them. It’s about working to find the defining detail.

quote of the week

“At its best, the sensation of writing is that of any unmerited grace. It is handed to you, but only if you look for it. You search, you break your heart, your back, your brain, and then – and only then – it is handed to you.” – Annie Dillard, The Writing Life